Art Conservation Workshop  Study Program In Italy

This intensive workshop offers an in-depth exploration of cultural heritage conservation, with a specific emphasis on fine art and fresco preservation set against the vibrant cultural backdrop of Southern Italy. Participants will engage in a curriculum that combines theoretical frameworks with practical applications in the conservation of paintings and frescoes in rural insitu settings.

 Additionally, seminars on historical context, iconography, and technical analysis will enrich the participants’ understanding of the complexities involved in art conservation.

2025 courses dates

  • July 2 – 16, 2025
  • July 23 – August 6, 2025

The session begins with an introduction to the fundamental principles, standards and guidelines pertinent to art conservation. Participants will gain practical experience through workshops, excursions to significant cultural sites, and engaging lectures. 

Research and conservation of frescoes will take place in the rupestrian settlements (underground habitations) of the Alta Murgia area, offering a unique opportunity to study artwork within its historical context.

The course includes several site visits: Sassi of Matera (Unesco World Heritage site), the Rupestrian Churches Park, various museums and art exhibitions.

Participants will also have the opportunity to spend a night in Naples further to immerse themselves in Southern Italy’s artistic legacy. 

The workshops are led by Messors founder and director Tonio Crenza, Art and Cultural Heritage conservator and Filip Petcu, painting conservator and director of Muzeul Național de Artă Timișoara and lecturer at the University of the West, Faculty of Arts and Design, Conservation-Restoration of Painting Department, Timișoara – Romania, and Joana Diniz painting conservator.

The Paintings

The European paintings in the studio span from the 17th to the 20th centuries, providing participants with a comprehensive introduction to the diverse materials, supports, and conditions that these artworks exhibit. Participants begin by conducting a baseline condition report and formulating a conservation plan, laying the groundwork for their understanding of art conservation principles.

Focused on hands-on learning, the workshop enables participants to practice fundamental conservation techniques. These include stabilizing supports and pictorial layers, repairing tears, and addressing paint losses through methods like infilling and inpainting. Participants also learn to manage complexities arising from previous restorations, varying storage environments, and challenges posed by humidity and other factors.

Supplementing the practical experiences, the workshop incorporates a series of lectures and demonstrations that cover a range of topics. These include foundational concepts in chemistry as they relate to conservation, the historical evolution of conservation and restoration theory, and the study of iconography, all of which contribute to a well-rounded educational experience in the field of art conservation.

 

Fresco Conservation

Studies focus on the long-term fresco preservation projects of Byzantine and Medieval fresco sites, which are part of the Alta Murgia area’s more expansive rupestrian landscape.
The fresco conservation unit offers experiential learning in situ, enabling an understanding of the detrimental environmental factors that affect the site’s preservation.

The unit emphasizes the cultural importance of these heritage locations and highlights the necessity of involving local communities in conservation planning and stewardship, particularly for largely unmonitored rural areas.

Participants create a fresco ex-novo using traditional techniques and materials, plaster, sinopia, and painting with natural pigments to understand the process involved in the fresco technique and the related degradation phenomenon.

The Rupestrian Sites

In these rural settings, the ipogei (underground settlements) represented important centres of social and religious activities. The communities of this area created their own cultural identity, finding artistic expression in works of religious iconographic art.

Between the 8th and the 12th centuries, small monastic and lay communities emigrated to Southern Italy. The high Murgia was one of the places of major activity due to it being the point of contact between two religious currents: the Latin Monastic tradition and the Basilian monks from Cappadocia (Turkey) and Armenia, of Greek Orthodox origin.

In 2014, we embarked on the conservation project of the Fornello rupestrian site which includes a Byzantine fresco cave, twelve additional cave dwellings, and a surrounding settlement dating back to the 3rd-century B.C.E. It is one of the most interesting and historically important sites in the Murgia region of Puglia.

The frescoes are comprised of three layers dating from 1100, 1200, and 1350. They documented a link and a time in history when Byzantine communities from the Balkans established themselves in Puglia in the Rupestrian settlement. 

The session provides a practical focus, allowing participants ample opportunity for practice in conservation techniques and creation ex-novo.  The workshop includes seminars in Art History, Iconography and Technical Analysis. The course also includes several site visits to Sassi of Matera (Unesco World Heritage site), the Rupestrian Churches Park, overnight in Naples, museums, art exhibitions, and an afternoon at a coastal town or beach. 

Get updates on workshops, projects and events
Subscribe