Art Conservation Workshop  Study Program In Italy

This intensive workshop immerses participants in cultural heritage conservation, focusing on fine art and frescoes in the rich cultural landscape of Southern Italy.
The course provides practical experience with methods and techniques of painting conservation, fresco in situ preservation, and ex-novo fresco creation, integrating theory and practice for a comprehensive learning experience.

The workshop is complemented by seminars in History, Iconography and Technical Analysis.

 

2025 courses dates

  • July 2 – 16, 2025
  • July 23 – August 6, 2025

The session begins with an introduction to the principals, standards and guidelines for art conservation, practical hands-on experience, excursions, and lectures. 

Conservation studies and research of frescoes are conducted in the rupestrian settlements (underground habitations) located in the Alta Murgia area.

The course also includes several site visits: Sassi of Matera (Unesco World Heritage site), the Rupestrian Churches Park, overnight in Naples, museums, art exhibitions.

The workshops are led by Messors founder and director, Tonio Crenza, Art and Cultural Heritage conservator  and Filip Petcu ,Painting Conservator and director of Muzeul Național de Artă Timișoara and lecturer at University of the West, Faculty of Arts and Design, Conservation-Restoration of Painting Department, Timișoara – Romania.

The Paintings

Participants are introduced to examples of 17th to 20th centuries European paintings.

After creating a baseline condition report and conservation plan, participants are introduced to the fundamental principles of art conservation.

The workshop focuses on European paintings from the 17th to 20th centuries, which vary in materials, supports, and conditions selected for study and conservation procedures. Participants engage in practical conservation techniques, including stabilizing supports and pictorial layers, repairing tears, infilling and inpainting paint losses, strip lining, and tackling challenges related to previous restorations, storage conditions, damage, and humidity.
In addition to practical hours, the workshop includes lectures and demos on Chemistry, Inpainting, the Evolution of Conservation and Restoration Theory, and Iconography
.

Fresco Conservation

Studies focus on the long-term fresco preservation projects of Byzantine and Medieval fresco sites, which are part of the Alta Murgia area’s more expansive rupestrian landscape.
The fresco conservation unit offers experiential learning in situ, enabling an understanding of the detrimental environmental factors that affect the site’s preservation.

The unit emphasizes the cultural importance of these heritage locations and highlights the necessity of involving local communities in conservation planning and stewardship, particularly for largely unmonitored rural areas.

Participants create a fresco ex-novo using traditional techniques and materials, plaster, sinopia, and painting with natural pigments to understand the process involved in the fresco technique and the related degradation phenomenon.

The Rupestrian Sites

In these rural settings, the ipogei (underground settlements) represented important centres of social and religious activities. The communities of this area created their own cultural identity, finding artistic expression in works of religious iconographic art.

Between the 8th and the 12th centuries, small monastic and lay communities emigrated to Southern Italy. The high Murgia was one of the places of major activity due to it being the point of contact between two religious currents: the Latin Monastic tradition and the Basilian monks from Cappadocia (Turkey) and Armenia, of Greek Orthodox origin.

In 2014, we embarked on the conservation project of the Fornello rupestrian site which includes a Byzantine fresco cave, twelve additional cave dwellings, and a surrounding settlement dating back to the 3rd-century B.C.E. It is one of the most interesting and historically important sites in the Murgia region of Puglia.

The frescoes are comprised of three layers dating from 1100, 1200, and 1350. They documented a link and a time in history when Byzantine communities from the Balkans established themselves in Puglia in the Rupestrian settlement. 

The session provides a practical focus, allowing participants ample opportunity for practice in conservation techniques and creation ex-novo.  The workshop includes seminars in Art History, Iconography and Technical Analysis. The course also includes several site visits to Sassi of Matera (Unesco World Heritage site), the Rupestrian Churches Park, overnight in Naples, museums, art exhibitions, and an afternoon at a coastal town or beach. 

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