Art Conservation Workshop  Study Program In Italy

Fine Art and Fresco

The course offers a practical hands-on experience in the process of conservation and restoration of cultural heritage, frescoes and fine art in the rich cultural setting of the Puglia and Basilicata regions of Italy.

The session provides a practical focus, allowing participants ample opportunity to practice conservation methods and techniques and creation ex-novo. The workshop is complemented by seminars in History, Iconography and Technical Analysis.

 

2024 courses dates

  • July 6 – 20, 2024
  • July 27 – August 10, 2024

The session begins with an introduction to the principals, standards and guidelines for art conservation and restoration, practical hands-on experience, excursions, and lectures. 

Conservation studies and research of frescoes are conducted in the rupestrian settlements (underground habitations) located in the Alta Murgia area.

Paintings on canvas are provided by private collections and are worked in our studio located in the main piazza in Gravina‘s centro storico.

The course also includes several site visits: Sassi of Matera (Unesco World Heritage site), the Rupestrian Churches Park, overnight in Naples, museums, art exhibitions.

The workshops are led by Art and Cultural Heritage restorer and conservator Tonio Creanza, director of Messors, and Art restorer and Iconographer Filip Petcu (University of the West, Faculty of Arts and Design, Conservation-Restoration of Painting Department, Timișoara – Romania).

The Paintings

Participants will be introduced to examples of 17th to 20th centuries paintings on canvas.

Details

Under the instruction and guidance of cultural heritage conservator and Messors Founder & Director, Tonio Creanza and Filip Petcu, art conservator and director of the Timișoara National Museum of Art, participants work on the various stages of conservation and restoration of the artworks: stabilizing the pictorial layer, tear repair, cleaning, rigatino/puntinato retouching, restretching.

The artworks selected for the program are European paintings ranging in subjects and conditions, from XVII to XX century, sourced for study and practical conservation procedures.

 

The Frescoes

The Frescoes of the focus of the conservation stadies and research are part of the rupestrian cave settlements located in the Alta Murgia area.

Details.

In these rural settings, the ipogei (underground settlements) represented important centres of social and religious activities. The communities of this area created their own cultural identity, finding artistic expression in works of religious iconographic art.

Between the 8th and the 12th centuries, small monastic and lay communities emigrated to Southern Italy. The high Murgia was one of the places of major activity due to it being the point of contact between two religious currents: the Latin Monastic tradition and the Basilian monks from Cappadocia (Turkey) and Armenia, of Greek Orthodox origin.

Participants will practice creating their own frescoes employing traditional techniques and materials for making the plaster, sinopia underdrawings, and painting with natural pigments, to understand the process involved in the fresco technique and the related phenomenon of degradation.

Participants will also be introduced to the conservation procedures such as removing moss and calcification, stabilizing the plaster with lime injection, integrating missing portions of plaster, touching up of colours, etc.

In 2014, we embarked on conservation and restoration on the site of Fornello which includes a Byzantine fresco cave, twelve additional cave dwellings, and a surrounding settlement dating back to the 3rd-century B.C.E. It is one of the most interesting and historically important sites in the Murgia region of Puglia.

As the Fornello Project is in its earliest stages of conservation, participants will be some of the first to examine, study and work on a site in its most natural environment and state of deterioration. Students of universities may choose to develop a curators plan as to how to oversee the site and the project’s future.

The frescoes are comprised of three layers dating 1100, 1200 and 1350. They document a link and a time in history when Byzantine communities spreading from the Balkans were establishing themselves in Puglia in the rupestrian settlement. The projected goal is to restore each layer and its distinctive iconography and identity to life and to expose the earliest dated fresco.

Program Contents

Workshops include:

  • Introduction to the history and the art of the Alta Murgia region.
  • Byzantine iconography lecture.
  • Traditional natural materials and compounds used in antique arts and decoration.
  • Preliminary techniques in the conservation process.
  • Common types of degradation and alteration.
  • Planning restoration and conservation projects.
  • Studio and in-situ/onsite practical activities.

The session provides a practical focus, allowing participants ample opportunity for practice in conservation techniques and creation ex-novo.  The workshop includes seminars in Art History, Iconography and Technical Analysis. The course also includes several site visits to Sassi of Matera (Unesco World Heritage site), the Rupestrian Churches Park, overnight in Naples, museums, art exhibitions, and an afternoon at a coastal town or beach. 

Get updates on workshops, projects and events
Subscribe